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Musical Ambassadors
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That Other Concerto for Two Violins
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Week of July 19, 2008
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You say Fantasia, I say...
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Versatile and Virtuosic
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Orchestra Becomes Eclectic
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Lofty Intentions for International Theater Fest
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The Universal Themes of Theater
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International Theater Hits Ventura
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Dean Rob Recites Another Answer
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The Voice of the Youth
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A 'Freestyle' Musical
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A YouTube Soprano
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A Second Helping of the Double Reed
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Money Makes the [Art] World Fall Down
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The Disappearing Audience Doesn't Disuade
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The Un-Persistence of Time
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Lance Fung's Artistic Rolodex
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Hammering Out a Program
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The CalArts Connection
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Arranging an Orchestration Question... and Vice Versa
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S.O.S. (Schubert's Operatic Shortcomings)
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Taking Control by Letting Go
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If At First You Can't Succeed...
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Being Against a Unified Front
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Staying Cutting Edge
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Recycling... Not Just For Paper!
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A Chorus of Newspapers
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Obligato off the Ocean
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A Musical Question Develops
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The Transforming Chamber Orchestra
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Cross-L.A. Youth Orchestra
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Stress-Free Audition? Try Audition-Free, Period!
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Incorporating the Olde into the New
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The Movement of Literature
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Progressive in Ventura County
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A Tragic Artistic Basis
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Erroneous Internalization
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Transcendency of Theater
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Attaining the Armenian Audience
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Masters in this Halsey Stevens
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Causing a Composer's Hand Cramp
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Funny Title, Not-So-Funny Subject
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Getting 'Norman' Ready to Sail
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The Origins of Music
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Collaborative Aspirations
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Waxing Cinematic About Social Freedom
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Maximizing a Minimum of Material
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Party for a Perfectionist
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Pieczonka's Prima "Tosca"
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Concerto for Cello and Nightclub in A-flat
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A Needy-Reedy Question
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Success and Stoicism
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A Guitar-Singer's Greatness
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Blissfully Ignorant of Liza
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Perfect Pitch, or just Psychic?
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Domingo's Pleasantly Divergant Lomeli
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Nuvi Mehtas Talking Points
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By Any Other Name...Sounds Just As Sweet.
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A Reptilian Romp
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An Audio Tour of Los Angeles
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A Mix of Macabre and Music
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Play Neutrality... Quite a Concept
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High Thoughts on "High Wood"
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Microtonal Music is Going Places
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A Violent Division
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A Play About A Pull
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Feeling Music, Like The Force
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Bassoon Bootcamp
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Micro-Managing the Scale
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A Pirouette to the Podium
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Exploring the Explosion of Music Language
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Making (Film) Music Together
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Hilary Hahn w/ Brian Lauritzen
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Intertwining Life and Technique
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Classic Contemporary and Vice Versa
|
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Accidentally Reenacting Family History
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Stranger in a Strange Land... Hollywood
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The Growth of the American Voice
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Keeping Score Without One
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Dvorak's Vocal Tug of War
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Emotional Resonance Brings Back a Classic
|
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From Fiddler to Philoktetes
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Bridging the Old and New Morality
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Vicious Playing Without Valves
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Mop-Top Mayhem in San Francisco
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Horn with a Hardening Heart
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Sharper than a Trumpet's Edge?
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Left-Handed Oddball Violinists
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The Getty's Bill Viola w/ Hunter Drohojowska-Philp
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Fresh Frescos with Fingers
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Tirelessly Tickling the Ivories
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A Disappearing Audience
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Bowling One Conductor Over
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I'm Henry the Composer, I Am?
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Youthful Interpretations
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A Mix-Mash of Origins
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Reality Gets You Moving
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The Upside of Being a Troupe-er
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Postcard From Europe - 8
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Revolutionary? Maybe. Modest? Yes.
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Shave and a Tony... Two Hits!
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Postcard From Europe - 7
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Blurring the Classical Lines
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Postcard From Europe - 6
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Postcard From Europe - 5
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Postcard From Europe - 4
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Free Range, But They're No Chickens
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Nesting with New Compositions
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Postcard From Europe - 3
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Postcard From Europe - 2
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Postcard From Europe - 1
|
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| |
An Inspirational Cycle of Composer and Conductor
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Instant Music from the Podium
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In the Weeds Over the Leads
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Overseas & Overdue
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Elaine Stritch w/ Chris Stanley
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| |
Unsentimental Salonen
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The Vocal Vitality
|
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A Deistic Deliberation
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Late Night Improv at Age 3
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| |
The Premium for Butterfingers?
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| |
Lesser Well Known American Composers
|
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| |
Terminally a Musician
|
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Extremes of Emotion and Pitch
|
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| |
Forever a Bach Student
|
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A Tenor Worth a Thousand Words
|
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| |
Doing a Favor for a Master
|
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Revolving Musicians... On Purpose!
|
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Perfecting the Regal Emotions
|
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Queenly Quarrels in San Diego
|
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Getting Along Swimmingly
|
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A Opera That Treads Water
|
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The High Authority on Low Frequencies
|
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Recovered Voices and Renewed Excitement
|
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LACMA's New Modernity
|
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Moseying Through Mozart
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Mozart's Missing Symphony
|
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A Vandal's Inspirtation for Art
|
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| |
A Brisk Trip to the Fountain
|
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The 'Period' is Not the Sentence
|
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The Art of the Ad Hoc Ensemble
|
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'I Am Thy Burton's Spirit'
|
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The Vocal Royal Rumble: Mezzo vs. Alto
|
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Cellophane Wrapped Taboos
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| |
Realism Through Non-Actors
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On Shaky Ground with John Sayles
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| |
The Evolution of Independent Film
|
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Artistic Permanance and Music
|
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Music, Microwaves and Mentorship
|
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A Distinguished Drummer for U2 and Bono
|
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Those Testy Tempi
|
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Crossing Over with the Turtle
|
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Setting the Wagnerian Mood
|
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The Wealth of Variety in Baroque
|
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Programming Music for the Chamber Ensemble
|
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| |
Was the Typewriter Embellished?
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A Painter's Guide to His Art
|
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'Raving' About Classical Music
|
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Defining the New 'Classical' Music
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How to Shock a Music Director
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Hollywood Comes to the Opera House
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What Does a Dean Know?
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Finding the Core of an Encore
|
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Is Purchasing Instruments Online Wise?
|
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A Musical Seven-Plus Years in the Making
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The Dancing 'Soprano'
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The Composition of the Community
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Freeing Up the Music Center Calendar
|
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Appreciation of the Re-Write
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To Baton or Not to Baton, That is the Question...
|
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The Rigors of Youthful Performers
|
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Gathering the Next Generation of Theater Buffs
|
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How did Mozart and Haydn write so many symphonies?
|
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The Organic Art of Sir Henry Moore
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Early 20th Century Art Exploration
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Building an Art Collection
|
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"First Thursday" for the Arts in Santa Barbara
|
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Artistic Free For All in Santa Barbara
|
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Nowhere To Hide in the DeAngelis Ensemble
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Giving Music a "Guidonian Hand"
|
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Warming Up by Pumping Up
|
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A Local 'History Boy' Discusses Accents
|
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Flutes and Early Music at Disney Hall
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Can Classically Trained Performers Branch Out?
|
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Mixing Up History, Onstage
|
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WWI, With a Python-esque Slant
|
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What's the Best Music School?
|
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'Taking Sides' with Ronald Harwood
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Sir William Walton's Look Back
|
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One Composer's Productivity
|
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Dante via the Master Chorale
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Were Cat-Gut Strings Actually What They Presume to Be?
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Famed Cellist Coming to Teach at USC
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Building Ballet's Audience in Los Angeles
|
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The LA Ballet's Local Connection
|
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What Makes a Good Beginning Acoustic Guitar?
|
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A Venezuelan Symphonic Family
|
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"Ney" Saying: The History of an Old Instrument
|
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East Meets West in the Concert Hall
|
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Comparing Gustavo Dudamel to Mozart
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Esa-Pekka Salonen on his Soon-To-Be Successor, Gustavo Dudamel
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Is Learning by Ear a Bad Thing?
|
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From a British Stage Direction to American Classics
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Bringing Classical Theater to Tinseltown
|
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Drucker Finding Time Away from the Violin
|
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Violinist Turned Novelist
|
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Who Nicknames a Symphony?
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The Origin of 'Trains' by Steve Reich
|
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A Baroque Holiday: There and Bach Again
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J. S. Bach - Success in Unemployment
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| |
The Subconscious Fear of Ang Lee
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Ang Lee on Finding a Leading Lady
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'Sibelius Unbound'... and Famous
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What is the Difference Between an 'Orchestra' and a 'Philharmonic'?
|
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How Do I Develop Good Breathing Muscle Control?
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Can Music Instruction be Cost-Effective too?
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Do Percussionists own their Own Instruments as Well?
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Why Do Some Teachers Make you Pay for Lessons in Advance?
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Group vs. Individual Lessons?
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Did Stravinsky or Schoenberg Compose for Films?
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Trans-World Fame for Composers?
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How to Plan a Season of Theater
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Soprano Elissa Johnston on getting out of the way
|
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Developing a Practice Routine for your child
|
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Giving Children Positive Attention
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| |
Can loss of hearing hamper musicality?
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Jeffrey Kahane on Double Duty
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Contemporary Gloria Cheng
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| |
How do musicians get their instruments?
|
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Deborah Borda discussing The Tristan Project, Act III with Bill Viola and Peter Sellars
|
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Deborah Borda discussing The Tristan Project, Act II with Bill Viola and Peter Sellars
|
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| |
Deborah Borda discussing The Tristan Project, Act I with Bill Viola and Peter Sellars
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|
