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4.20.09 - Mopla 1
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Week of April 18, 2009
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4.18.09 - Ask the Dean
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4.17.09 - Ballerina Film 2
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4.16.09 - Ballerina Film 1
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4.15.09 - Libera Boys Choirs 2
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4.14.09 - Libera Boys Choir
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4.13.09 - Monday Evening Concerts 2
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Week of April 11, 2009
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4.11.09 - Ask the Dean
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4.9.09 - Pasadena Symphony 2
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4.8.09 - Pasadena Symphony
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4.7.09 - Monday Evening Concerts 2
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4.6.09 - Monday Evening Concerts 1
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4.3.09 - Linda Watson 2
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4.2.09 - Linda Watson 1
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4.1.09 - Placido Domingo
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4.4.09 - Edward Albee, part 1
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Week of April 4, 2009
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4.4.09 - Ask the Dean
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EP-LA 2
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EP-LA 1
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3.31.09 - Jennifer Koh 2
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3.30.09 - Jennifer Koh 1
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Week of March 28, 2009
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3.28.09 - Ask the Dean
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3.27.09 - For Your Art
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3.26.09 - Zap! Pow! Bam!
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3.24.09- Murray Mednick 2
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Arabian Nights
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Week of March 21, 2009
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3.21.09 - Ask the Dean
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3.23.09 - Murray Mednick
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Under The Willow Tree Sample
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3.20.09 - California E.A.R. Unit 2
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3.19.09 - Valery Gergiev
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Andre Dubus at ALOUD
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3.18.09 - Norman Krieger
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3.17.09 - Hollywood Bowl
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Week of March 14, 2009
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3.14.09 - Ask the Dean
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3.16.09 - California Ear Unit
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3.13.09 - Joel Grey 3
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3.12.09 - Joel Grey 2
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3.11.09 - Joel Grey
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3.10.09 - Vox Femina 2
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3.09.09 - Vox Femina
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Week of March 7, 2009
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3.07.09 - Ask the Dean
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3.06.09 - Lincoln Exhibit
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3.05.09 - Robert Pinsky 2
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3.04.09 - Robert Pinsky
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3.02.09 - Lily Tomlin
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2.28.09 - Ask the Dean
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Week of February 28, 2009
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2.27.09 - Stormy Weather
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2.24.09 - Time Stands Still
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2.23.09 - James Newton Howard 2
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Week of February 21, 2009
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2.21.09 - Ask the Dean
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Week of February 14, 2009
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2.14.09 - Ask the Dean
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2.18.09 - BMW Art Cars 2
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2.17.09 - Vachel Lindsay Poem
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2.16.09 - BMW Art Cars
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2.13.09 - Penderecki Quartet 3
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2.12.09 - Penderecki Quartet 2
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2.11.09 - Penderecki Quartet
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2.10.09 - Danielle de Niese
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Week of February 9, 2009
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2.9.09 - Ask the Dean
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2.5.09 - Pacific Lyric Association
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2.4.09 - Edward Albee 2
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2.3.09 - Edward Albee 1
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2.3.09 - Westside Connections 2
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Week of January 31, 2009
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1.31.09 - Ask the Dean
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2.2.09 - Westside Connections
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A Tribute to Gene Parrish
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1.30.09 - Chatham Baroque
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Deep in Bohemia
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Spontaneous Reaction
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Staying Ahead of Her Time
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The Role of Housewife
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Oscar Buzz for Frozen River
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Welcoming Dudamel
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Erasing the Neighborhood
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Week of January 25, 2009
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Not a Violin, Viola or Cello
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Week of January 17, 2009
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Tapping to Tchaikovsky
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Composing for the Audience?
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Week of January 10, 2009
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Fast Tempi
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Week of January 3, 2009
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| |
A Unique Space for Opera
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| |
Expanding Operatic Horizons
|
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|
| |
A Monthlong Celebration
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LA Arts Month
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Week of December 27, 2008
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Taking on the Audience
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West Coast Audiences
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| |
Interactive Theater
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| |
Highly-Charged Love
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| |
Reconciliation on Screen
|
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| |
Adapting a Complex Story
|
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| |
Molly Peacock
|
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Taking a Crack at the Nutcracker
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| |
LA's Young Ballet Company
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Keeping Record Part 4
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Week of December 20, 2008
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The Staging of Strings
|
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The Diverse Sounds of Christmas
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| |
Free for the Holidays
|
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| |
From Subway Station to Museum Gallery
|
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| |
Keeping the Roles Fresh
|
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|
| |
Big Dance, Tiny Stage
|
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Keeping Record Part 3
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Week of December 13, 2008
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| |
Does Form Determine Title?
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Home Away from Home
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Learning About Music Firsthand
|
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Ambitious Youth
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Keeping Record Part 2
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| |
Week of December 6
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| |
Musical Christmas Gifts
|
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Recreating and Remembering
|
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Keeping Record Part 1
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|
| |
Singing for the Season
|
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| |
Revisiting Dance
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| |
Week of November 29
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Orchestral String Bowing
|
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Enigmatic Vermeer
|
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The Loves of Clara Schumann
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The Love Life of Liszt
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Week of November 22, 2008
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Writing for the Orchestral Sections
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Bringing Attention to Darfur
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Art and Activism
|
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Saving Lives with Solar Cooking
|
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Bringing Avant-Garde to the Opera
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Coming Together for Music
|
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| |
A Final Bow for the Guarneri
|
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| |
An Orchestra of His Peers
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Bringing Music to the Schools
|
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Week of November 14, 2008
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Coordinating Classical Broadcasts
|
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Diplomacy through Storytelling
|
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| |
The Power of a Story
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Gathering to Sing Opera
|
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Week of November 8, 2008
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| |
Orchestral Salaries
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Versatile Dancers
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|
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East Meets West
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|
| |
High Tech Wizardry in Theater
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Carmen Speaks
|
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Ring Festival LA
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Scary Music
|
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Week of November 1, 2008
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Challenging Material
|
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| |
Singing Runs in the Family
|
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| |
Week of Saturday, October 25
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Mozart's Musical Contribution
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Striking a Chord
|
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Unglamorous Role
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An Unlikely Collaboration
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Boxing and Ballet
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Week of October 18, 2008
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| |
Where Writing and Music Intersect
|
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Beyond Tonal
|
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| |
Honoring the Composers
|
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|
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Writing and Music
|
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Remembering
|
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| |
Genius is in the Counterpoint
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A Decision Left to the Conductor
|
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Week of October 11, 2008
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Making a Living with Music
|
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15 Years in the Making
|
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An Urban Oasis
|
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Respite and Reality
|
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Week of October 4
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Categorizing Composers
|
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An Animated Gem
|
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| |
Art on a Busy Street
|
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| |
A Famous Name
|
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| |
Living a Double Life
|
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| |
A Competitive Audition
|
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Week of September 27, 2008
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| |
Conductor in Sight
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On a YouTube Near You
|
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| |
Getting to Know the Dancer
|
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| |
Dance by the Beach
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| |
The Phil for Free
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Week of September 20
|
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| |
What is meant by "full orchestra?"
|
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Avoiding the Icebergs
|
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| |
Men in Tutus
|
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The King of Instruments
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Applause at the Opera
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Week of September 13, 2008
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| |
A New Set of Pipes
|
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| |
Being Caught Backstage
|
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| |
Living in the Shadow of a Famous Name
|
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| |
An Incendiary Title
|
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|
| |
Translating the Story to Film
|
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|
| |
Woody Allen's Opera Hit
|
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Woody Allen and Puccini
|
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Week of September 6, 2008
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| |
Has the width of piano keys changed?
|
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| |
A New Reprise
|
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|
| |
From Film Stage to Opera Stage
|
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| |
Week of August 30, 2008
|
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| |
Nontraditional Percussion Instruments
|
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| |
The New Mark Taper
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| |
Agamemnon
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Tragedy at the Villa
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Recording the Best Perfomance
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Drama at the Villa
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Week of August 23, 2008
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Nature or Nurture?
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Keeping Singing New
|
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| |
Singing through Tragedy
|
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|
| |
Musical Activism
|
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|
| |
UPS Delivers
|
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| |
Week of August 16, 2008
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| |
Musical Memorization
|
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Sausage, Cheese and Red Wine
|
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| |
Glass Half Full
|
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| |
Judged by Your Accent
|
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| |
Bang a Drum, Protect Your Ears
|
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|
| |
Painting Mentors and Mentees
|
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|
| |
Week of August 9, 2008
|
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|
| |
Symphony vs. Symphonette
|
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Frozen River
|
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|
| |
Romantic Brahms
|
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Week of August 2, 2008
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| |
What is the "Fastest" Piece?
|
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| |
West Meets East
|
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|
| |
Instructions for the Wish Tree
|
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|
| |
Make a Wish on a Tree
|
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|
| |
Week of July 26, 2008
|
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|
| |
An Ordinary Mass
|
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|
| |
Fostering a Playwright
|
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|
| |
Shakespeare for Kids
|
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|
| |
Practice Makes Perfect
|
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|
| |
Musical Ambassadors
|
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|
| |
That Other Concerto for Two Violins
|
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|
| |
Week of July 19, 2008
|
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|
| |
You say Fantasia, I say...
|
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| |
Versatile and Virtuosic
|
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|
| |
Orchestra Becomes Eclectic
|
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|
| |
Lofty Intentions for International Theater Fest
|
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|
| |
The Universal Themes of Theater
|
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|
| |
International Theater Hits Ventura
|
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|
| |
Dean Rob Recites Another Answer
|
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|
| |
The Voice of the Youth
|
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|
| |
A 'Freestyle' Musical
|
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|
| |
A YouTube Soprano
|
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|
| |
A Second Helping of the Double Reed
|
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|
| |
Money Makes the [Art] World Fall Down
|
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|
| |
The Disappearing Audience Doesn't Disuade
|
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|
| |
The Un-Persistence of Time
|
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|
| |
Lance Fung's Artistic Rolodex
|
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|
| |
Hammering Out a Program
|
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|
| |
The CalArts Connection
|
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|
| |
Arranging an Orchestration Question... and Vice Versa
|
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|
| |
S.O.S. (Schubert's Operatic Shortcomings)
|
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|
| |
Taking Control by Letting Go
|
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|
| |
If At First You Can't Succeed...
|
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|
| |
Being Against a Unified Front
|
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|
| |
Staying Cutting Edge
|
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|
| |
Recycling... Not Just For Paper!
|
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|
| |
A Chorus of Newspapers
|
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|
| |
Obligato off the Ocean
|
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|
| |
A Musical Question Develops
|
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|
| |
The Transforming Chamber Orchestra
|
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|
| |
Cross-L.A. Youth Orchestra
|
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|
| |
Stress-Free Audition? Try Audition-Free, Period!
|
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|
| |
Incorporating the Olde into the New
|
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|
| |
The Movement of Literature
|
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|
| |
Progressive in Ventura County
|
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|
| |
A Tragic Artistic Basis
|
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|
| |
Erroneous Internalization
|
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|
| |
Transcendency of Theater
|
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|
| |
Attaining the Armenian Audience
|
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|
| |
Masters in this Halsey Stevens
|
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|
| |
Causing a Composer's Hand Cramp
|
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|
| |
Funny Title, Not-So-Funny Subject
|
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|
| |
Getting 'Norman' Ready to Sail
|
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|
| |
The Origins of Music
|
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|
| |
Collaborative Aspirations
|
Stream
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|
| |
Waxing Cinematic About Social Freedom
|
Stream
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|
| |
Maximizing a Minimum of Material
|
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|
| |
Party for a Perfectionist
|
Stream
|
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Pieczonka's Prima "Tosca"
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Concerto for Cello and Nightclub in A-flat
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A Needy-Reedy Question
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Success and Stoicism
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A Guitar-Singer's Greatness
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Blissfully Ignorant of Liza
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Perfect Pitch, or just Psychic?
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Domingo's Pleasantly Divergant Lomeli
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Nuvi Mehtas Talking Points
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By Any Other Name...Sounds Just As Sweet.
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A Reptilian Romp
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An Audio Tour of Los Angeles
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A Mix of Macabre and Music
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Play Neutrality... Quite a Concept
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High Thoughts on "High Wood"
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Microtonal Music is Going Places
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A Violent Division
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A Play About A Pull
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Feeling Music, Like The Force
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Bassoon Bootcamp
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Micro-Managing the Scale
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A Pirouette to the Podium
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Exploring the Explosion of Music Language
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Making (Film) Music Together
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Hilary Hahn w/ Brian Lauritzen
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Intertwining Life and Technique
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Classic Contemporary and Vice Versa
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Accidentally Reenacting Family History
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Stranger in a Strange Land... Hollywood
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The Growth of the American Voice
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Keeping Score Without One
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Dvorak's Vocal Tug of War
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Emotional Resonance Brings Back a Classic
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From Fiddler to Philoktetes
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Bridging the Old and New Morality
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Vicious Playing Without Valves
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Mop-Top Mayhem in San Francisco
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Horn with a Hardening Heart
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Sharper than a Trumpet's Edge?
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Left-Handed Oddball Violinists
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The Getty's Bill Viola w/ Hunter Drohojowska-Philp
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Fresh Frescos with Fingers
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Tirelessly Tickling the Ivories
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A Disappearing Audience
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Bowling One Conductor Over
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I'm Henry the Composer, I Am?
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Youthful Interpretations
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A Mix-Mash of Origins
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Reality Gets You Moving
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The Upside of Being a Troupe-er
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Postcard From Europe - 8
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Revolutionary? Maybe. Modest? Yes.
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Shave and a Tony... Two Hits!
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Postcard From Europe - 7
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Blurring the Classical Lines
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Postcard From Europe - 6
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Postcard From Europe - 5
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Postcard From Europe - 4
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Free Range, But They're No Chickens
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Nesting with New Compositions
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Postcard From Europe - 3
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Postcard From Europe - 2
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Postcard From Europe - 1
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An Inspirational Cycle of Composer and Conductor
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Instant Music from the Podium
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In the Weeds Over the Leads
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Overseas & Overdue
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Elaine Stritch w/ Chris Stanley
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Unsentimental Salonen
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The Vocal Vitality
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A Deistic Deliberation
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Late Night Improv at Age 3
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The Premium for Butterfingers?
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Lesser Well Known American Composers
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Terminally a Musician
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Extremes of Emotion and Pitch
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Forever a Bach Student
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A Tenor Worth a Thousand Words
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Doing a Favor for a Master
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Revolving Musicians... On Purpose!
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Perfecting the Regal Emotions
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Queenly Quarrels in San Diego
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Getting Along Swimmingly
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A Opera That Treads Water
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The High Authority on Low Frequencies
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Recovered Voices and Renewed Excitement
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LACMA's New Modernity
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Moseying Through Mozart
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Mozart's Missing Symphony
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A Vandal's Inspirtation for Art
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A Brisk Trip to the Fountain
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The 'Period' is Not the Sentence
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The Art of the Ad Hoc Ensemble
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'I Am Thy Burton's Spirit'
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The Vocal Royal Rumble: Mezzo vs. Alto
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Cellophane Wrapped Taboos
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Realism Through Non-Actors
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On Shaky Ground with John Sayles
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The Evolution of Independent Film
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Artistic Permanance and Music
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Music, Microwaves and Mentorship
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A Distinguished Drummer for U2 and Bono
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Those Testy Tempi
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Crossing Over with the Turtle
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Setting the Wagnerian Mood
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The Wealth of Variety in Baroque
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Programming Music for the Chamber Ensemble
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Was the Typewriter Embellished?
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A Painter's Guide to His Art
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'Raving' About Classical Music
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Defining the New 'Classical' Music
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How to Shock a Music Director
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Hollywood Comes to the Opera House
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What Does a Dean Know?
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Finding the Core of an Encore
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Is Purchasing Instruments Online Wise?
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A Musical Seven-Plus Years in the Making
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The Dancing 'Soprano'
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The Composition of the Community
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Freeing Up the Music Center Calendar
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Appreciation of the Re-Write
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To Baton or Not to Baton, That is the Question...
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The Rigors of Youthful Performers
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Gathering the Next Generation of Theater Buffs
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How did Mozart and Haydn write so many symphonies?
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The Organic Art of Sir Henry Moore
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Early 20th Century Art Exploration
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Building an Art Collection
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"First Thursday" for the Arts in Santa Barbara
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Artistic Free For All in Santa Barbara
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Nowhere To Hide in the DeAngelis Ensemble
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Giving Music a "Guidonian Hand"
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Warming Up by Pumping Up
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A Local 'History Boy' Discusses Accents
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Flutes and Early Music at Disney Hall
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Can Classically Trained Performers Branch Out?
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Mixing Up History, Onstage
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WWI, With a Python-esque Slant
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What's the Best Music School?
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'Taking Sides' with Ronald Harwood
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Sir William Walton's Look Back
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One Composer's Productivity
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Dante via the Master Chorale
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Were Cat-Gut Strings Actually What They Presume to Be?
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Famed Cellist Coming to Teach at USC
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Building Ballet's Audience in Los Angeles
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The LA Ballet's Local Connection
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What Makes a Good Beginning Acoustic Guitar?
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A Venezuelan Symphonic Family
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"Ney" Saying: The History of an Old Instrument
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East Meets West in the Concert Hall
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Comparing Gustavo Dudamel to Mozart
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Esa-Pekka Salonen on his Soon-To-Be Successor, Gustavo Dudamel
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Is Learning by Ear a Bad Thing?
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From a British Stage Direction to American Classics
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Bringing Classical Theater to Tinseltown
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Drucker Finding Time Away from the Violin
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Violinist Turned Novelist
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Who Nicknames a Symphony?
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The Origin of 'Trains' by Steve Reich
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A Baroque Holiday: There and Bach Again
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J. S. Bach - Success in Unemployment
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The Subconscious Fear of Ang Lee
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Ang Lee on Finding a Leading Lady
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'Sibelius Unbound'... and Famous
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What is the Difference Between an 'Orchestra' and a 'Philharmonic'?
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How Do I Develop Good Breathing Muscle Control?
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Can Music Instruction be Cost-Effective too?
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Do Percussionists own their Own Instruments as Well?
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Why Do Some Teachers Make you Pay for Lessons in Advance?
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Group vs. Individual Lessons?
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Did Stravinsky or Schoenberg Compose for Films?
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Trans-World Fame for Composers?
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How to Plan a Season of Theater
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Soprano Elissa Johnston on getting out of the way
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Developing a Practice Routine for your child
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Giving Children Positive Attention
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Can loss of hearing hamper musicality?
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Jeffrey Kahane on Double Duty
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Contemporary Gloria Cheng
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How do musicians get their instruments?
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Deborah Borda discussing The Tristan Project, Act III with Bill Viola and Peter Sellars
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Deborah Borda discussing The Tristan Project, Act II with Bill Viola and Peter Sellars
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Deborah Borda discussing The Tristan Project, Act I with Bill Viola and Peter Sellars
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